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CATEGORY

Bridging the Divide

García Márquez the Journalist

Gabriel García Márquez (1927–2014), the Colombian writer who received the 1982 Nobel Prize in Literature, is celebrated worldwide for novels such as One Hundred Years of Solitude and Love in the Time of Cholera. Yet Márquez often insisted that his deepest professional identity was that of a journalist. He famously described himself as "a journalist who just happens to write fiction on the side," believing that reporting grounded imagination in the discipline of reality.

Science as a Culture – Its Implications

This article explores the concept of science as a culture, positing that it functions as a significant psychological and social framework alongside its technological and methodological dimensions. The late Professor Shymal Sengupta emphasizes that principles such as objective thinking and dedication to factual truth have the capacity to influence personal values and challenge entrenched beliefs. Through an analysis of the historical context of the Indian scientific community, the author attributes professional isolation and stagnation primarily to an absence of a cohesive scientific culture. The article further contends that successful collaboration is contingent upon prioritising problem-solving above individual ego or hierarchical authority. Looking forward, the author envisions an environment where scientific rationality becomes embedded within global cultures, potentially resolving faith-based contradictions. Such a transformation is deemed essential for national development and the ethical advancement of humanity.

Coffee Rings, Spotless Tea, and the Iridescent Splendor of Butterfly Wings

Marc lounged comfortably in his favorite armchair, savoring the rich bitterness of his afternoon espresso. The sun slanted through the café’s lofty windows, casting...

Where Art Meets Science: The Turbulent Story of Van Gogh’s Masterpiece

On a vibrant spring evening in Madrid, where the air hummed with the scent of blossoms and coffee, two scientists—José Luis Aragon and Manuel Torres—found themselves captivated by Vincent van Gogh’s ``Starry Night.'' What began as a casual musing in a rooftop café became a revelation: the swirling chaos of van Gogh’s brushstrokes mirrored the mathematical turbulence of fluid dynamics, a phenomenon described by Kolmogorov’s equations. In that moment, art and science collided...

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